Craft a five-sentence piece that frames Devo’s debut sessions as a study in productive creative friction between Mark Mothersbaugh and Brian Eno. Start by outlining the core tension: Eno’s ambition vs. Devo’s experimental restraint, using Mothersbaugh’s anecdote about changing tracks in the mix as your anchor. Then illustrate how selective incorporation and boundary-setting helped preserve Devo’s identity while benefiting from outside input. Include at least one concrete example (e.g., “monkey chants” or a preferred synth approach) to show how decisions were made. End with a takeaway about what modern artists can learn from this collaboration—how to channel tension into a distinctive, lasting sound.