Write a narrative that uses 1996’s big rock tours as a lens to explain the economics of live music, starting with the $1.05 billion total revenue and what that signified for the industry. Explain how pricing strategies, festival circuits (like H.O.R.D.E. and Lollapalooza), and venue choices shaped supply, demand, and profitability, including a contrast with the Grateful Dead’s absence. Weave in cultural context—fans’ expectations, media coverage, and the rise of multi-artist bills—and show how these factors influenced both artists and promoters. Include a concrete example (e.g., Garth Brooks vs. a rock-headliner) to illustrate price vs. attendance dynamics. End with a takeaway connecting 1996 trends to today’s touring landscape.